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Stewart Wilson
Besides an
annoying American woman organising the queue’s outside the
great white pillars of Wolverhampton Civic Hall, the
pre-concert tension was in full flow. The usual tshirt sellers
were in the foyer, to which I bought my third Radiohead
tshirt, a badge and a keyring. We managed to get within about
6 or 7 metres from the front of the stage. The support was
Willy Mason, an American country singer/guitarist and came on
early at about half 7. He had a good style to his music and
left us all in high spirits for the next and final act. The
Civic hall is a relatively cosy venue with an upper seating
tier. The stage was a reasonable size with almost every inch
of it covered with a mass array of weird noise producing
machines.
The lights
dimmed to a complete blackout and the sound of the crowd
escalated. The usual warped radio speech segments were played
over on loop until the first signs of life on the stage were
starting to show. Then cue the bassline to The National
Anthem. I was curious as to the opening song. Any normal band
plays their most explosive hit to kick off a live show but
remember this is no normal band. Radiohead follow no rules.
This passed off without a hitch besides a furiously energetic
crowd. 2+2=5 came next. This was a bit of a singalong and
really got the crowd going despite the posters on the wall
saying “Radiohead kindly request no moshing or crowd surfing”.
What came
next was a new song for the new album (TBA) called “Bangers N
Mash” to which Thom announced as being about “whatever gets
you up”. It was an unusual one, more to what we expect from
something around the Hail To The Thief era. It also has a rare
moment when Thom switches from tambourine-ing to drumming.
Next came a
band favourite, “Lucky” followed by yet another new song, “15
step”. It starts as a very trippy, Idioteque style song that
builds with a nice harmony from Jonny on the guitar. Yet
another HTTT song came along next, debuted on their tour in
Wolves: “Sail To The Moon”. You could almost hear a pin drop
towards the end as the crowd fell silent hanging on to every
note Thom played on the piano. This is Radiohead’s magic, to
be able to captivate an audience in such away.
This was
followed by another new song, a very catchy bluesy song titled
“House Of Cards”. It was relatively unknown to the crowd but
very much appreciated. Now was the chance to bring a few older
ones out of the closet with “I Might Be Wrong”. This proved
very popular and clearly got Thom very hyped up. This showed
at the start of the next song, Bones. Another oldie, which got
off to a false start really as Thom was doing what appeared to
be Superman impressions, accidentally nutted the mic and had
to start the song over again. It took the crowd into hysterics
coupled with an explosive song. And to calm things a little,
another new song, “Nude” which was dedicated to Nigel Godrich,
whom helped Thom produce his “solo” album, “Eraser” to which a
song off this album “Cymbal Rush” is being played by the band
on recent legs of the tour. This was followed by the
orchestral newbie “Arpeggi”.
During “My
Iron Lung” things got a bit hectic in the crowd and somebody
started crowd surfing, much to Thom’s displeasure. During a
slight lull in the song he shouted to the offender: “Just
chill the fuck out!”. He did.
“Where I End
And You Begin” came next and in songs like this you realise
just how much of a worker Jonny is on stage. He just never
stops.
“Climbing Up
The Walls” was perhaps the best I had ever seen this song
performed. It rocked out in its hauntingly ghoulish way to
which I sang to every word. Next came an unusual treat, “How
To Disappear Completely” followed by the crowd pleaser, “Idioteque”.
And to finish with, “There There”.
As usual,
there followed the pointless ego building encore crowd
shouting bit which always happens.
Thom seemed
to be in top form this night. He was chirpier than usual and
more talkative. Phil made a solid performance as usual under
difficult circumstances, having recently losing his Mum and
thus cancelling the second Amsterdam leg of their tour. “This
is a song from a few years ago. Actually most are from a few
years ago, because we buggered off. But we did write some new
songs which you ‘ave ‘eard", yes you guessed it!! “Let Down”!
What happened next was quite possibly the climax of the whole
gig, the moment the whole night has been gearing up for, at
last a huge singalong,”Karma Police”.
Not really a
singalong, more a screamalong, so much so that you couldn’t
actually hear Thom singing. Another new song, “Bodysnatchers”
a very bouncey riff coupled with melancholy singing really
went down well. The final song of the encore was “Everything
In Its Right Place” to which the band arranged so as to leave
the song on a loop whilst walking off the stage individually.
But that was by no means the end of it all. Nobody was going
anywhere. The band techies brought out a
Xylophone/Glockenspiel or whatever it is. Whatever it was, it
meant no surprises for a second and final encore. While a
mellow end to the gig, it was still amazing.
Another nice
feature were the screens on the wall behind the band showing
different camera angles of the band playing on stage, nice for
the shorter people who couldn’t see anything! It was also
interesting to see some older stuff emerge like Bones,
probably as old as you are going to get played as Pablo Honey
seems to be finally put to rest, unfortunately.
A completely
exhausting, hot sweaty experience didn’t bother me in the
slightest as seeing the band in such a great condition, poised
on the release of their new album made me forget all the
cramped sticky atmosphere and I will definitely go and see
them again, maybe next year when their album IS released.
Rating:
8/10
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